← Back to search
Cover of Bimbos of the Death Sun

Bimbos of the Death Sun

Sharyn McCrumb (1987)

SubgenreSpace Opera
Age groupAdult 18+
Content ratingPG-13
Pages ()
SeriesBimbos of the Death Sun #1
Setting
Goodreads3.7

Content levels

ViolenceNot rated
Sexual contentNot rated
LanguageNot rated

Trigger warnings

Not yet tagged

Positive tags

Not yet tagged

Tropes

Not yet tagged

Themes

Not yet tagged

Synopsis

Sharyn McCrumb's Bimbos of the Death Sun is a strange work. Ostensibly a mystery novel complete with a murder and an array of suspects with plausible motives, it won an Edgar Award in 1988 for Best Original Paperback Mystery. Although we follow the plot, curious to know who killed famed novelist Appin Dungannon and why, the fact is that what happens in this novel is in some ways much less important than where it happens. Bimbos of the Death Sun is not a mystery that merely happens to be set at a science fiction and fantasy convention; it's a novel about a particular, peculiar American subculture, and it just so happens that a murder and investigation occur while the Trekkies and Dungeon Masters are convening to buy and sell memorabilia and don their hobbit costumes. In fact, the novel is really a parody of that culture and, as such, it has garnered understandably ambivalent reviews from the science fiction and fantasy community it caricatures. The perspective of the novel is decidedly that of an outsider's. The protagonist is a man named James Owen Mega who, under the pseudonym Jay Omega has published a science fiction novel named Bimbos of the Death Sun. Omega, though, is no science fiction fanatic or frequenter of conventions He and his girlfriend, Dr. Marion Farley, are both professors at a local university, and Omega wrote the novel in his spare time as a fictionalized account of his scientific research. The reader, therefore, experiences the convention's peculiarities and surprises along with the bewildered and amazed professors. . The pair represents, in some ways, two different approaches to the pageantry of obsession and fantasy that swirl around them. Omega, as a guest author and conference V.I.P., tries to tread lightly around the customs and peculiarities of the sci-fi aficionados so as not to offend or become too involved. Marion, as a professor of comparative literature, casts a more critical eye on the proceedings, giving the touted big-sh